Timothy Williams is a multi-award winning composer who has written music for some of the most iconic movie scenes in history, including the "sunken place" in Get Out!, the barn door opening in Pearl and the death of Leonidas in 300.
Timothy began as a classical concert pianist, but quickly found himself spending more time playing in bands and composing music than practicing. A move to LA in the early 2000s started this 20 year journey of having the opportunities to create music for some of the most iconic movies.
Early work included writing additional music, orchestrating and conducting films like 300, Watchmen, Super, Sucker Punch, Guardians of the Galaxy Vol. 1 and Vol. 2, (Fast and Furious presents) Hobbs and Shaw, Deadpool 2 and Get Out!
This breadth of work lead to working as a composer for Robert Duvall on Wild Horses, John Moore on I.T., starring Pierce Brosnan, scoring for James Gunn and Dave Yarovesky on Brightburn, Tom Hanks on the documentary Beyond All Boundaries, Mario Van Peebles on Red Sky and Marc Meyers on We Summon The Darkness.
Tim's music has been released on multiple soundtracks from Milan Records, Lakeshore Records, Sony Records, A24, EMI, Lionsgate Records and MovieScoreMedia.
Michael Tang is a film editor known for his work on projects such as Badland (2019), The Stairs (2021), and Black Wood(2022). His editing work reflects a strong command of pacing, tone, and visual storytelling, particularly within character-driven and genre-focused films.
With a growing body of work in independent cinema, Michael has contributed to projects that balance narrative tension with atmospheric style, helping shape performances and story through precise editorial choices. His ability to support both grounded drama and heightened genre elements has made him a valuable collaborator across multiple productions.
As his career continues to evolve, Michael remains focused on crafting compelling stories through editing, bringing clarity, rhythm, and emotional depth to each project he undertakes.
Garrard Whatley is an award-winning supervising sound editor and re-recording mixer with over two decades of experience in film and television. He has crafted soundscapes for acclaimed projects such as Under the Lights (starring Lake Bell and Nick Offerman), Riddle of Fire (Cannes Film Festival selection), and The Wolf of Snow Hollow (with Robert Forster and Riki Lindhome). His broadcast work spans networks like Discovery ID, Lifetime, and HBO, with credits including The Holzer Files and Ghost Brothers: Lights Out.
Founder of Seismic Post Audio, Garrard operates a Dolby-certified home studio, combining technical precision with creative innovation. He also develops audio software for post-production professionals and works as a voiceover artist. Passionate about the storytelling power of sound, Garrard collaborates across genres to bring life and depth to every project.
Federico Imperiale is a Los Angeles–based stills photographer and visual artist specializing in unit stills, key art, and production photography for motion pictures, television, music videos, live events, and branded content. Since relocating to Los Angeles in 2017, he has built a dynamic career working across the United States with production companies, agencies, brands, and cultural institutions, contributing to a wide range of entertainment and corporate projects.
Federico’s personal photographic work, rooted in conceptual, street, and fine-art disciplines, has been exhibited and published internationally and recognized with multiple awards, honorable mentions, and nominations in major international photography competitions.
Known for his cinematic eye and narrative approach to visual storytelling, Federico seamlessly navigates high-pressure production environments while capturing imagery that enhances promotional materials and press campaigns.
Catherine Kudulis is a film and television professional specializing in assistant directing, with additional experience in script supervision and the makeup department. She has worked across a range of independent films, shorts, and television projects, bringing strong organizational leadership and on-set collaboration to every production.
Catherine’s credits include work as a First and Second Assistant Director on projects such as Run, Disciples of a Craftsman, Bounty, and What Happens Now?, where she has played a key role in managing set operations and supporting directors in fast-paced production environments.
With experience across multiple departments, Catherine brings versatility, precision, and a deep commitment to independent filmmaking.
Theresa Patton is a distinguished writer, healthcare executive, and burgeoning film producer dedicated to examining themes of access to care, equity, and human connection. With more than 25 years of experience, she has led strategic initiatives across the healthcare system. Her work focuses on ensuring patients have access to appropriate, cost-effective care.
She holds a PhD in Business, where her research examined how insurance coverage influences the use of preventive care services among women. Expanding into storytelling, Theresa is drawn to narratives that highlight disparities and raise awareness about the barriers people encounter when accessing care. In her character-driven work, she brings a deep understanding of the structural forces that shape individuals’ lives and influence the decisions often made on their behalf.
She also develops narratives across a variety of genres, including romantic comedies, focusing on themes of connection, identity, and everyday transformation. She is an Executive Producer on PEGGY and is currently developing original film projects that highlight women’s experiences and access to care. Her work is grounded in the belief that storytelling can reveal the challenges within complex systems through deeply human stories.
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